In the middle of one of the outlying cottages, perhaps the Masonic Cottage–it was too damaged to tell, really–are these pair of skinny doors that led from patient rooms to a common area with rotting shag carpet.
A window for light and air pokes above the big arch in the hallway. Most of the interior ceilings were broad brick archways.
This floor of the workhouse had corkscrew conveyors–big augers–in the floor to move material around. Most of the walls that were metal were missing, leaving the concrete structure and open doors.
The pipes in the boiler would be full of water, so the heat in the furnace.
One of two control towers that reached over the lake. The control panel here was used to move the conveyors over the ship’s hold doors, adjust flow of the taconite, and so on.
Like many mill-style buildings of the time, the Twohy’s loading doors (in this case, the delivery wagon doors) opened to an elevator shaft. This design cut down on loading time, as long as the elevator was operational. Of course, if it was otherwise occupied, there could be no traffic through the exterior doors!
A long exposure in the crane cab at sunset throws a bit of color into the bleak yellow glows between the windows and car shaker.
Aaron by the concentrator.
At sunset the light skips from puddle to stagnant puddle across the whole foundry room, playing with the classic sawtooth roof with half-hearted shadows.
Artifacts from the days this was a furniture factory and warehouse.