The winch that hauled the sea leg, a decide to unload grain from waiting boats and barges.
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...based on the tags: cables, graffiti, machinery, rusty, wheels...
Looking at the tallest part of the plant from a skeletal loading dock. Kodak Portra 160/Mamiya 6.
Looking into the cut made for the streetcar tunnel. It looks like there is a door in the wall, but it’s an optical illusion.
The generator hall of the last power station, as seen from the gantryway.
A control panel that was mothballed, anticipating a time when the plant may be reactivated.
A look down the 1950s foundry building, moments after sunset.
The sun shining through one of the buildings; everything was overgrown.
Kate in the crow’s next… very shaky by the time she got to it.
This picture typifies the industrial ideal of the early 20th century. More metal than air. More efficiency than beauty. More profits than people.
Looking through the trestle toward the ghost town.