The new concrete workhouse, as seen through chickenwire.
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This photo illustrates how vertical the complex is.
From the bottom of the skyway I looked back, my eyes tracing the vines from the marsh up the smokestacks to the perfect Midwestern sky.
HDR matrix panorama. Looking from the grain elevators, now doomed, toward the city between the flour mill’s water tower and tile elevator’s neon sign, the old and new economies seem almost united. Yet the financial centers rise in reality to shadow the now-abandoned industry and manufacturing. The way of things, I’m told.
A broken television on the main floor. The remains of the plaster ceiling and walls are powdered on the floor.
This was one of two skyways that went between production line offices. It’s easy to tell because it’s not reinforced for machinery to travel through it. I also like that it’s a double-decker, so to speak.
The cold air collided with the sun-warmed water on the floor, filling the ground floor of the Keg House with thick fog…
Peering through the glass in the Hoist Operator’s cab, stained with graffiti. The cable and reels can be seen through the glass… these are now gone.
The gulls wait to eat the next load of spilled grain. Arista 100.
The mine is sandwiched between village townhomes.