Each room is painted a different hue, so the light reflecting into the hallway carries those colors. The blue padding on the left is for one of the padded rooms…
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You can tell from the marks on the wall that there used to be pipes running the length of this square hallway, which connected a loading dock with explosive mixers.
I get dirty.
Two signatures complement this gorgeous hand-painted sign. ‘Bowers’ from 1987 and ‘Normal’ from 1982. The blocking on the letters is still visible!
On the left is a bathroom, which is why it has the wire mesh over the door; so it could be locked and still be ventilated. On the right side are small double-bed rooms, which still have their heavy wooden doors. More attractive than jail cell doors, but serving the same purpose.
Taken from atop a grain train at the end of Cargill B-2, looking toward Lake Superior “I”, now part of the sample complex. This area used to have another slip, but Cargill filled it on when it built the elevator on the right.
On top of the light hoop, 160-feet up, a ship comes into port, ready to load-up. If you look really close, you can see my shadow cast on the dock below, courtesy of the full moon.
Inside the main entrance is a whiteboard and mirror, then it branches into discrete spaces.
“The fresh snow mixed indistinguishably from the ashes of the half-demolished power plant.”
A squat building with a rail scale. Taken between rain showers in late summer, when I seemed to be the only one at White Pine.