On the left, the formula for the sintering mix was written (“mischungszusammenselzung”) to keep track of the jobs.
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...based on the tags: chalkboards, graffiti, paperwork, peeling-paint...
This used to be one of the office doors, but it’s been removed (apparently without malcontent) and placed in the shop area.
One of the only extant assembly line tracks in the body painting department. No photographer leaves Fisher 21 without capturing some version of this spot; hope you like mine.
Between the repair shops and the stock department is this odd little structure. No, the walls are not level–it’s not your eyes. The shops slope left, the structure slopes right.
A depiction of historic Liège, known for its rivers and hills.
The main floor of the hospital was crammed with furniture.
Looking into the half-demolished, half-dismantled conveyor for the sea leg.
Shadows of the skylights form a backdrop for rust-welded machines.
From inside a painting shed, where heatlamps and a vented roof made sure that the Caddy looked like it was worth the price tag.
A window for light and air pokes above the big arch in the hallway. Most of the interior ceilings were broad brick archways.