This is one of the more private rooms in the old section of the hospital. It likely only accommodated one patient.
The sun shining through one of the buildings; everything was overgrown.
One of the only extant assembly line tracks in the body painting department. No photographer leaves Fisher 21 without capturing some version of this spot; hope you like mine.
The main shaft’s cable spooled with bird castings belies the fact that lives used to dangle from its steel-wound strength. Arrows on the circles would indicate the mine level the cars were currently at.
A manhole cover sealing Clark House Creek below Superior Street.
The sun was setting outside, highlighting the textures and lines that made the form of the power plant take a fourth dimension–time.
The headquarters for the plant was in the middle of it. It’s abandoned but well preserved–a strange sight in Gary, Indiana.
The coke plant looked more natural through a grimy window.
This side of the mill, which abuts the Great Miami River, is much older than the other side of B Street. You can tell it went through many revisions.