In the modern control room at the base of the white elevator tower are the electronics that ran the newer building, its rail components and boat-loading component. The superstructure permeates all spaces here, as can be seen with the crossing I-beams in the main office.
Watching the comings and goings of doctors, nurses and new patients was a mainstay of asylum routine; one can find it easy to imagine pale faces pressed against the block glass windows, staring out at the world moving past them.
From factory to skate park to restaurant. This is in the skate park stage. The buildings to the right are demolished now, and in their place are hockey rinks.
Unit 4’s lower levels.
The office building was fancy compared to the utilitarian factory behind it. My favorite part was the logo crown.
Zachary Taylor’s very own Scottish castle, spring-side in the Kentucky backcountry. Boarded and waiting, but in surprisingly good condition, considering the decades. I especially love the tower on the right side of the frame.
Algae grows where water flows/From the sawtooth roof/To the mines below/The sun climbs high/But is in no one’s eyes/A wall alone crumbles/It was no suprise
In the mine offices, hooks and a board with numbers was the system to keep track of who was in the mine and who was safe.
The top floor of the Dominion Elevator. Acros 100 on 120.