You can almost make out the concrete chute through the open window. Kodak Portra 160/Mamiya 6.
The stairs that connect the breakwater and light station (Leica M6/Kodak Ektar).
When the ship loaders were added, a doorway was cut through the metal silo to make a room for the grain handling equipment. Note the dust sensor in the corner of the torch-cut archway.
35mm Film, Expired. An abandoned swath of NAD is landlocked by soybean fields.
The roof of the King Elevator had two small vents and a terrific view of Sleeping Giant Provincial Park. Arista 100 in 120.
Ektar 100/Mamiya 6. A ghost town near Martinsdale, where the market (pictured) served as the train stop.
These long curved corridors connected the wards. Locked doors on both of their ends were a security and comfort feature. Sounds and people would be sealed in their respective wards, as the hallways would act like beautiful airlocks; they were so long that it was unlikely that doors would be open on both sides at the same time. Portra 160.
The annex casts a long shadow over its old headhouse and the former UGG (currently Vitera C) elevator. Arista 100.
Kodak Tri-X 400/Leica M7. The office (first floor), laboratory (second floor) and mill behind it. Everything was clean and pristine.