A familiar scene in Control Tower B, though the microphone has not been used for years.
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The beacon was installed in 1938 and removed in the mid-2000s.
I slid into the mill through the top floor, near where the rock-grinding ball mills were left to rust. I look around, taking in the most intact gold mill I’ve ever explored. Movement attracted my eye to the ceiling, where I found something staring back, a raven was observing me with some interest. It had been a while since I have brushed up on the folklore and mythology, but I took it as a good sign. Leica/Summilux 35/Ektar 100
Fluorescent lights peel back from the walls like caterpillars, rearing up and away from the glare of the sunflower-fans.
Looking toward a void–formerly a hallway to the mineshaft–now a hole in the ground.
A long exposure in the crane cab at sunset throws a bit of color into the bleak yellow glows between the windows and car shaker.
A row of houses north of Pommenige.
A control panel that was mothballed, anticipating a time when the plant may be reactivated.
Looking from abandoned to active. The end of Dock 6 often has a crane and some shacks on it, as the chutes aren’t used anymore. Instead, conveyors are installed on the land-side of the dock that fill docked vessels, making the end of the dock little more than a breakwater and a place to park repair and recovery equipment.
A broken scale in Isabella A, next to an old wood stove.