A familiar scene in Control Tower B, though the microphone has not been used for years.
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...based on the tags: bokeh, dirty, James r barker, lights, ships, windows...
A wimpy crane by most standards, only suitable for moving around parts of steam turbines.
This was taken before the top of the docks really started to rot-out; now this stretch past the crane is distinctly unsafe to cross. Still, you can’t beat the view of Dock #2 winding into the distance, where the approach is chopped-off before the yard used to extend.
A closeup of one of the winding machines that found itself under a leaky section of roof.
A bunk room, minus the bunks.
This electric Wellman crane was added to extract coal from ships for the power plant that Erie built beside their dock. Now, with the advent of self-unloading boats, it’s been replaced by a funnel and conveyor belt.
One of my favorite shots of the headhouse at the Saskatchewan Wheat Pool #4, with one seagull threading the needle. The socket holes on the frame got blown out thanks to my bad developing, but I like the effect. Arista 100.
Watching the comings and goings of doctors, nurses and new patients was a mainstay of asylum routine; one can find it easy to imagine pale faces pressed against the block glass windows, staring out at the world moving past them.
Fluorescent lights peel back from the walls like caterpillars, rearing up and away from the glare of the sunflower-fans.
The bottom of the elevator which seemed too modern for the building. The top of the elevator opens into open air, as the second floor has long since collapsed.