Wind blew taconite dust against the walls of these suspended control room, making even the glass appear to rust.
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From an unsteady perch atop the blast furnace, the morning light began to leach into the complex below.
In the mid-2000s, Peavey sealed the spaces between their Electric Steel Elevator bins. What they unwittingly created was a graffiti time capsule. “Impeach Bush”.
From Main Street, looking straight up at the A Mill, only the silence makes one think that nobody’s still inside, grinding grain into Pillsbury’s Best.
This was a living space for the keepers during storms, when it was too dangerous to return to the houses on the point.
A natural stone floor in Brewery Creek’s upper path has been worn smooth.
This spiral staircase isn’t doing Lemp much good–maybe they’ll let me have it! I do love, though, that there is a door going to it–without walls–and it ascends to a second floor that doesn’t exactly exist anymore.
Made by the Mergenthalen Linotype Company of New York, this model series (300) was introduced in 1960 and boasted a 12-line-per-minute reproduction rate.
There’s concrete under that dirt… under that water… somewhere.
The two exhaust vents coming out from the boilers en route to the stacks. Plywood marks where where catwalks were removed to extract equipment.