As the Barker steamed past the dock and island, the sunset casts the shadow of the Taconite Harbor receiving trestle on the boat. Through the fog, you can see some of the islands that were joined into a breakwater.
Beds line a basement room that is part way between the concepts of inside and outside. Boards and bricks were falling while I was photographing it—stay out.
Between elevators, a single tree has taken root. I think it’s growing out of a rail grade, so the seed might have fallen off of a train.
Not a wisp of smoke can be seen today.
Pozo Mine, the most menacing mine building I’ve ever seen. Black and white film, shot with the Fuji GX680, a beast of a camera.
Camera: Pentax 67.
The dredge is divided into four levels. The top level has controls for the tailings boom and, when it was there, the bucket excavator.
Looking toward the old power house, right below one of its arteries.
The top three floors were removed from the top of the Temple Opera Block (right). If you have a sharp eye, you can see the outlines of some of the old floors on the shared wall of the Orpheum (left). For a time, the front of the building held a bus stop.
One of the last times I saw the skyway standing. ADM’s Meal Elevator is in the distance.