Looking up the Dominion Elevator’s tower. I especially like this picture because it shows how so much of the electrical conduits wound round through the mostly hollow space.
A sign of where man met machine.
A stack of flawed casting molds, in the ready position next to where the cupolas sat when the plant closed.
From inside a painting shed, where heatlamps and a vented roof made sure that the Caddy looked like it was worth the price tag.
A closeup of the finely-carved seats in the house, presumably original to the Sattler. There are not too many of these in this kind of condition. If you have a better name for this figure than Cordelia, leave a comment.
Smashed TVs and stone foundations in a former common room in the basement.
A chalkboard halfway to the headhouse is untouched since the mill closed. It still has the cheat sheets!
Graffiti by performing artists that hit the stage in the 1990s. I’m no musician, but I do not think it is being played low enough.