The hole in the floor, I like to joke, is a not-so-sneaky trap for the photographers creeping to get a close-up of the amazing peeling paint. I somehow escaped this snare, however, to warn the rest… perhaps you.
Beautiful belt wheels above the grain cribs. Getting to the spot where this was taken is now impossible, and I don’t know whether these remain or not anymore.
The long control room overlooks giant caps where equipment was removed long ago.
Kodak Tri-X 400/Leica M7. The office (first floor), laboratory (second floor) and mill behind it. Everything was clean and pristine.