A me-sized hole in the half-demolished skyway looks about a story down to the ground. Step lightly. Arista 100.
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...based on the tags: 35mm-film, black&white, dirty, film, heights, holes-of-death, overhangs, rebar...
The stone chapel sits beside the main house and received a particularly heavy dose of gothic architectural touches.
Looking past the Osborn along the side of the Hughitt Slip, where there have always been grain elevators for more than 100 years.
What you see is not a crack in the floor, but a long vine extending ten feet onto the shop floor, as if reaching in to escape the wind and rain.
Even without the kettles the Hamm’s brewhouse is beautifully lit, ornamented architecturally and begging for photographers to remember it.
This building looked like some sort of office.
Note the pit is filled in here.
The first step of the filtering process is being spun through this tube.
At the extreme eastern end of the plant is a bank of modern concrete silos. Kodak Portra 160/Mamiya 6.
A small bunker and blast wall between shell-loading buildings would have provided shelter during disasters, such as tornados, accidental explosions, and perhaps even enemy attacks.