The doorframes become more askew every year as the buildings slip downward into the gulch at different rates. This seems to be the part of the mine ruins where transients leave their marks. The graffiti dated back to the 1970s, at least.
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Did you leave in a hurry?
Shadows of the timberwork and cribbing are cast across cracked lake ice. My footprints follow cat tracks.
Note the rails in the floor that guided cars to the coating line, the side of which is lined with the windows in the center of the image.
What you see is not a crack in the floor, but a long vine extending ten feet onto the shop floor, as if reaching in to escape the wind and rain.
The roof of the King Elevator had two small vents and a terrific view of Sleeping Giant Provincial Park. Arista 100 in 120.
The largest extant structure when I visited.
Pozo Mine, the most menacing mine building I’ve ever seen. Black and white film, shot with the Fuji GX680, a beast of a camera.
Below Dock 2 is a set of fire pumps.
Depending on the position of the valve, flour could be routed from the filtering process back into a mill.