A rare door left on the workhouse. The stairs to the left led down into a flooded basement. Kodak Portra 160/Mamiya 6.
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An elevator to bring big somethings into the basement, it seemed. Nearby were the plant firetrucks, still ready to go. I hope they were saved.
It’s a straight view from the projection booth to the stage, but hell of a walk. At a fast pace, I think it would take 10 minutes to walk from this spot to the chair. Behind the curtains is a big white screen, so the theatre could be used for either stagework or moving pictures. The two projectors are set up for 3D movies right now–hence the little switch below the window–a Polaroid 3D synchronizer. Cool, huh?
One thing I like about the oppressive globalist-wrought future is the idea of numerically subdividing spaces; my geek side sort of wants to live in a flat that can be sorted by as Dewey Decimal-like code.
A portrait of the second school of McConnell, built in 1937.
A train idles beside the Calumet offices. Pentax 67 Medium Format
These stairs were probably removed to discourage scrapping and graffiti. Ask me if it worked.
The women’s ward had a player piano in it, likely a donation.
Spare parts ready for this building’s reactivation.
2015. Water damage hastens the decay of the annex and its stage. Every time I visit this room, the chairs are in different places. Kodak Portra 400 in a Voigtlander Bessa.