On the dark side of the workhouse at sunset, you can almost see where the walls used to be. Kodak Portra 160/Mamiya 6.
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One of the cupola air intakes, rattled loose by the demolition downstairs, hangs stranded on the second floor. You can see that the floor I’m standing on in this picture used to extend all the way to the right wall. The blue paint on the wall made the climb absolutely worth it.
A high-ceilinged room where kegs would be delivered for cleaning, before they were refilled with fresh booze.
The Eureka Mill, historically known as Sunnyside Mill, is now the gateway to Animas Forks.
This was a living space for the keepers during storms, when it was too dangerous to return to the houses on the point.
Model: Devan. Instagram: sextmachine
“Man has set for himself the goal of conquering the world but in the processes loses his soul.” Aleksandr Solzhenitsyn, Russian writer and historian.
The red brick elevator is reflected in the flooded railyard. Note the saturated red square on the elevator, where the ‘4’ was scrubbed off. FP-100c.
Because painted signs would not hold up in this spot–in between four ovens that were literally hot enough to melt steel inside. Solution: Cut the pipe labels into the sheet metal. Seems to have worked.
Looking from the brewhouse at the death of its sister building, across Minnehaha.