On the dark side of the workhouse at sunset, you can almost see where the walls used to be. Kodak Portra 160/Mamiya 6.
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A huge steel tank, one of several left over, left over from either the Ashland Oil or Allied Chemical periods.
Taking a midwinter hike in Cramer after a blizzard and ice storm was my idea. Do my friends seem upset to you? Mamiya GA645 / Kodak Pro 400
Two small generators connected to a Frick steam engine.
A typical wall in the base.
C’mon and grab your friends… we’ll go to very—rusty lands…
The old way to get to the elevator from the mill.
Looking north from the east portal of the tunnel… a beautiful place. Wilderness. Mamiya 6/Portra 160
Kodak Tri-X 400, Leica M7. Serious enough to write across the side of the tank, but not serious enough to have a sign made.
Daisy Mill could accept shipments from water, rail, and truck at one time. Now everything comes and goes by rail.