This is the far interior of the hotel, where the darkness made the shag carpet seem to move whenever the trees outside swayed. That is to say, constantly.
Spare blankets still sit in the bottom of the dresser drawer.
Looking down range. You can tell where most of the rounds hit by the dark marks in the wall.
It’s a straight view from the projection booth to the stage, but hell of a walk. At a fast pace, I think it would take 10 minutes to walk from this spot to the chair. Behind the curtains is a big white screen, so the theatre could be used for either stagework or moving pictures. The two projectors are set up for 3D movies right now–hence the little switch below the window–a Polaroid 3D synchronizer. Cool, huh?
Note the rails in the floor that guided cars to the coating line, the side of which is lined with the windows in the center of the image.
A heavy cloth separates the sanding station from other areas. This particular section seemed to specialize with chair seats, judging by the many unsanded blanks there.
Miners would sit in this room before going into the mine. The boards on the right indicated whether every single miner was “in” or “out”.
A switchboard to control the flow of electricity into the plant from the city and generators.
On top of the light hoop, 160-feet up, a ship comes into port, ready to load-up. If you look really close, you can see my shadow cast on the dock below, courtesy of the full moon.