Taken while standing on the torn outline of a scrapped altar. With my back to the faded outlines of men, books and the Holy Grail, the room seems much lighter.
The kitchen in the services building has a beautiful red and white checkered tile floor. Kodak Portra 400 in a Voigtlander Bessa.
Looking out at the abandoned neighborhood around the house.
In the barracks.
A chalkboard halfway to the headhouse is untouched since the mill closed. It still has the cheat sheets!
Standing atop the dust collector, the factory breaks down into diverging patterns, processes.
A closeup of the finely-carved seats in the house, presumably original to the Sattler. There are not too many of these in this kind of condition. If you have a better name for this figure than Cordelia, leave a comment.
The approach to the dock is rigidly geometric. I always thought its outline was beautiful against the lake that, by contrast, was always moving.