The giant cog is missing on this machine, which turned a sugar slurry intro crystals. Green-blue stained glass makes the rusty machine glow in aquamarine.
Perhaps this office was for a film studio or music producer.
A carefully kept journal of the ballast levels in the final years that the Ford sailed Lake Superior.
Equipment that did not sell at auction.
A late look at the brewhouse, long after the stainless steel tanks were scrapped.
I didn’t test the rungs, but I bet the view was incredible.
A circular common room in one of the original parts of the hospital. When the asylum was especially crowded, this would be filled with patient beds, too. It’s very strange that this floor was not tiled like the other common rooms. It makes me wonder if especially dangerous patients were kept in this ward; those who could not be trusted to not extract and sharpen the ceramic tiles. Portra 160.
Ready for some science? Strap-in and get your goggles.
One of the only extant assembly line tracks in the body painting department. No photographer leaves Fisher 21 without capturing some version of this spot; hope you like mine.